Our 'how to' guide to ordering hand painted tiles
Why decide on bespoke hand-painted tiles -->
This may be the first time you have ever considered commissioning
bespoke hand-painted tiles. You may have failed to find exactly
what you want ‘off the shelf’ or perhaps you have
not yet decided what you want but would like to explore the options,
knowing that you want something special and unique to you, without
spending a fortune.
Whatever your motivation, this guide is for you.
What do we do?
We are a small company, in business for around twenty years, hand-painting
ceramic tiles to order. We do not make our own tiles from scratch
and that means we are not limited to offering just one type of tile
as many hand-painted tile services do. Instead, we think we are
pretty much unique in offering a bespoke service that incorporates
many different decorating techniques, endless designs and a wide
choice of background tile, creating an almost limitless range of
possibilities.
In other words - you can have anything you like.
Is it a permanent finish?
Yes. Whatever methods we choose to complete your commission, the
colours are all fired at high temperature in our kiln – often
several times. Once they are fired, the colours are completely permanent,
and will never rub off or fade. Like any other ceramics, they will
remain clear, bright and beautiful indefinitely.
Choosing a background tile
The basic, undecorated and unglazed tile is simply a slab of fired
clay, varying in colour from pure white through to a range of pinks,
browns and reds. The heavier unglazed tiles – such as the
universally popular terracotta – can make an excellent floor
covering although a layer of sealant or wax is always advisable.
However, hand-painted tiles are always glazed, either before, during
or after decorating.
It is perfectly possible to hand-paint onto most ready-glazed tiles
(see ‘What is on-glaze’ below). Rarely a glazed tile
will not re-fire successfully in which case we can usually recommend
a similar looking alternative.
Understanding glazes
The glaze is the layer of glassy, shiny material that is fired onto
the surface of the tile. It can be clear, allowing the colour of
the background clay to show through, alternatively, it can be brightly
coloured, being tinted with a range of natural and artificial colours.
Generally though, tiles destined for hand-painting are best suited
to either a clear glaze or a white or cream-coloured glaze.
Understanding crazing
It is the layer of glaze that sometimes ‘crazes’ to
create a fine network of superficial cracks across the entire surface
of the tile. It is this crazing that gives many old ceramic pieces
their indefinable charm as many ceramics will gradually become more
and more crazed over time.
The degree of crazing can be encouraged by the addition of specific
ingredients to the glaze recipe allowing clients to choose a deliberately
more heavily crazed finish, perhaps teaming it with a chunky hand-made
tile. A wipe-over with pigment once the tile is fired for the final
time helps to accentuate the crazing for a finish that can be extremely
effective, particularly in a more rustic style of kitchen.
NB: We would advise against a heavily crazed finish in tiles destined
to be frequently exposed to large amounts of water – for example
as the lining of walls in a shower. This is because the deliberate
‘flaws’ in the finish can allow small amounts of water
to eventually creep in under the glaze, soaking into the porous
clay beneath, although this can be discouraged by additional waterproofing
treatments.
What is ‘on-glaze’, ‘in-glaze’,
and under-glaze and what do I need to know?
It is not necessary for you to take a crash course in ceramics
techniques (although we do offer weekend tile-painting courses
if you feel you must). Nonetheless, here is a quick introduction,
although, to make things even more complicated, we will frequently
use a combination of the following techniques to get the effect
we are after for you.
On-glaze – this generally means painting
onto a tile that has already been glazed and fired. That makes
it suitable for adding decoration to virtually every plain glazed
tile you can buy off the shelf, (although some re-fire better
than others). This technique usually requires several firings
as each layer of raw colour must be stabilised by firing before
the next is added. As on-glaze can be used with almost any glazed
background tile it can be a good choice if – for whatever
reason – you are already committed to, or particularly want,
a certain background tile. It is also a good one if you need to
faithfully reproduce specific colour shades and/or you need to
produce a design using many colours as the layers of colour can
be added more or less indefinitely until the right effect is achieved.
In-glaze – There are two main types of
in-glaze technique. The first is often referred to as Maiolica
or Delftware, this is an ancient technique of painting directly
onto raw tin-glaze. Quite an exacting skill (any careless brushstrokes
are impossible to erase) it generally utilises a range of natural
pigments that can be mixed to produce a limited range of colours,
the most common being cobalt blue, manganese brown and copper
oxide green. Another technique uses stains that give a larger
range of colours than the natural pigments. Both techniques (which
can be combined) give a softer, more mellow effect than on-glaze,
and are particularly appropriate for the recreation of most older
tile designs.
Underglaze – As you may already have guessed,
underglaze involves the complete decoration of the tile followed
by dipping in a clear glaze before firing. The colour of the background
tile is still visible after firing in the undecorated areas. Underglaze
is a more unusual technique than the others. We will occasionally
recommend it as a starting point for a complex design to give
a soft, background to subsequent on-glaze decoration.
How to decide on a design
We are very practised at realising our clients’ ideas –
often from the tiniest clues. However, mind reading is an unpredictable
skill and the following questions may help you to give us the information
we need:
Do
you need to match or tie-in with a fabric or wallpaper?
- With nothing more than a reasonable sized sample of fabric or
wallpaper, we can extract or reproduce ideas for your hand-painted
tiles. Either this can be the main design for a panel or single
décor tiles (or both), or perhaps just as inspiration for
a tiled border to be used on its own or as a frame for a decorative
panel of tiles depicting something else of your choice. Even samples
of the wall or wood paints you have chosen can help us with deciding
on a range of colours for your commission.
When a client despaired of finding tiles to co-ordinate with
the fabric they had chosen for curtains, the solution was simple.
We used a sample of the fabric to inspire this classic blue and
white design for the basin splash back.
Do you have pictures of
favourite objects, paintings, pets, children or scenery that you
would like to recreate? - Good, clear photos of various
subjects can be hand-painted as they are or used as the basis
for a design that incorporates several elements. Even pages torn
from magazines or art books with a favourite still life are excellent
sources of design ideas.
For example, if you have a house with a handsome exterior, you
might enjoy looking at it even when you are in it.
Here an owner provided us with a photograph of their house for
us to hand paint.

Another
popular theme is the tile-artist’s interpretation of a much-loved
landscape. One client gathered together favourite scenes from
the whole village where he lived and asked us to create a design
that incorporated them all. Another insisted on including all
their pets, children and a favourite herd of cattle in a rural
landscape while a recent commission we completed had just one
subject – the client’s prize sheep.
Do you need us to draw up a design for you? -
Often, a design can be easily agreed in detail without a drawing.
In other cases, it is well worth our sketching out a design for
approval before we paint the tiles, allowing you to check that
our interpretation ties in with your ideas, especially if there
are several elements to combine or perhaps a complicated layout.
There is a small additional fee for this.
Are
there any special features or obstacles that need to be ‘designed
in’? - For example, a flue coming up the middle
or side of the space above the kitchen range where you would
like your hand-painted tiles is far from disastrous. A flue
or other unattractive pipework can be very successfully worked
around, if re-routing of the pipework is not an option, by drawing
the eye to elements of the design on one or both sides.
Here, we have sketched out a design to show a client how their
tiles can be painted to work around an awkward flue pipe.
Measuring up
If your tiles are part of a large-scale refurbishment project,
you may have architect’s drawings of the room in question.
Often a copy of this is all we need to calculate your needs for
you.
Alternatively, you can do it yourself in which case a detailed
plan of the entire room is rarely necessary. Instead, a total
calculation of the area needed is fine for the background tiles,
with more accurate measurements of height and width needed for
areas where you intend to have a decorated panel.
Working out how many decorated and background tiles you
will need
Usually, in the average kitchen or bathroom, the total tiled area
will be a mixture of hand-painted and plain tiles. A decorative
panel may be the right choice for a focus point, above the sink
or the stove for example. This could be teamed with some complementary
single decor tiles mixed with plain tiles in other areas of the
room, perhaps with a border tile design to surround the panel and
edge the rest of the room, to unify all the different areas.
Thinking about the budget
The good news is many people are pleasantly surprised at how little
it costs to have something created just for you. We are experienced
at matching commissions to budgets and are happy to discuss and
quote for various options without any obligation.
To give you some idea, on top of the cost of the background tiles,
we calculate our fee on the basis of a price per tile decorated.
A simple border or single décor tile may cost £6, and
a heavily decorated tile as part of a panel may cost as much as
£30, although the average cost per tile is nearer £15
which compares well with many off-the-shelf designs.
If an initial idea exceeds your budget, there are lots of ways
to reduce costs without compromising too much on what you want.
For example:
• Sometimes money spent on an expensive background tile can
be wasted when a more economical background tile looks just as good
after being painted.
Believe
it or not, this beautifully rich, complex design was painted onto
a very economical white background tile.
• A panel designed for a large area, perhaps over a stove,
can entirely fill the space. Alternatively, a smaller panel
can look very effective surrounded with plain tiles (with or
without a decorated border).
Confining
this design to just eight tiles, plus a decorative border, limits
the cost of this project but makes a marvellous focal point when
surrounded by plain tiles.
• If you have a focal point with a decorated panel of
tiles, you can choose to tie it in with border tiles and perhaps
single décor tiles in other parts of the room or use
plain tiles in the rest of the room if budgets are tight.
Getting a quote
If you live within reach, you are extremely welcome to visit our
studio to see our work and discuss your ideas. That said, we are
used to working for an international range of clients and geography
is no barrier to our working with you.
An initial telephone call is a good start and we are happy to share
ideas and give estimates in this way. Designs and costs can then
be agreed via post, fax and e-mail.
Payment terms
We ask for 50 per cent up front on confirmation of the order. The
remainder is payable on completion. More details of our terms and
conditions will be laid out in our quotation.
Payment can be by cash, cheque or credit/debit card and we can
accept card payments over the telephone.
Glossary of tile terms
A few words you probably know the meaning of and possibly one or
two that you don’t.
Background tile – an undecorated tile,
used as a base for hand-painting but generally, for consistency,
also used, plain glazed for tiling the other parts of the room
where hand-painted tiles are not required.
Panel – a block of hand-painted tiles
that go together to make up a decorative picture or panel, sometimes
with a frame of border tiles.
Border tiles – a narrower tile than the
main ones, usually used along the edge of the tiled area or, often,
around a decorated panel.
Single décor – a decorated tile
with a single design that can be used on its own.
Grout – paste used to fill the gaps left
between the tiles. Usually white but available in a range of colours.
The width of the gaps is a matter for personal preference.